“In the long run, I shall be happier to be moderately praised in the new style, than greatly praised in the ordinary,” Monteverdi wrote to Giovanni Doni in 1633. What he did was, in the early part of the seventeenth century, help to define the music, drama and “language” of modern classical music. “L’orfeo” may not be the first opera, but it is still a part of the contemporary repertoire. His evolutions caused ructions, fights with Artusi, and the creation of what he calls the “seconda practtica”. I leave it at that for now: here’s the video.
From Calais to Venice and Back, via Flushing and the Alps and the Rhine and lots in between
These pages reflect a few of the places I've been since 2007, when I first read Thomas Coryate's Crudities of 1611. One day they'll be in order.Archives
- May 2020
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- June 2015
- December 2013
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Categories
- 'Splungen
- Abbeville
- Adele
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- Albert Speer
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- birth of journalism
- Birthday
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- BLOF
- Bloomsbury
- Bonn
- Bookselling
- Boppard
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- Breteuil
- Briare
- British Library
- Byron
- Cabbala
- Cafe Fino
- Calais
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- Casino
- Chambéry
- Channel crossing
- Chanson
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- Chatwin
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- Chur
- Clermont
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- Coach travel
- Cologne
- Cologne cathedral
- commonplace books
- Coryat
- Coryat’s Crudities
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- Cremona
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- Düsseldorf
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- Digital books
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- Jesuits
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- Limmat
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- Napoleon
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- Patrick Leigh Fermor
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- Pimpernell Smith
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- Pleasure
- point of view
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- Printing
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- Pussy Galore
- Quentin Stafford-Fraser
- Radio 4
- Rheinstein castle
- Rhine
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- Rivoli
- Robin Hunt
- Romanesque
- Romans
- Russell Gardens
- Salon des Amateurs
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- Schwetzinger
- September 11
- Shakespeare
- Sigfried
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- Speyer
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- technologies that changed the world
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- Way Down Upon the Swanee River
- Weather
- wikipedia
- Will Smith
- Worms
- wotton
- Zurich
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